Harvey Sutherland – Debt, Vinyl LP
Debt is a new album by Harvey Sutherland about the cost of doing business in the meme economy. In his first LP since the 2022 debut, Boy, the Australian artist reduces his fusiony disco repertoire to ten microhoused funk essentials.
The album's title nods to the financial contortions necessary to strive/survive/thrive as an independent artist. But Debt is better understood as the ledger of what we owe, and to whom, in the course of a creative life. What's the ROI of being an artist, a son, a friend, a partner, a father? Have we been worth our loved ones' own investments? If that sounds transactional, this is merely the lingua franca of our overwhelmingly digital culture, a grifter's bazaar in which Bob Dylan tunes up over Salt Bae, and Wordsworth's pitch is opposite the Rizzler.
A few years after the pseudo-therapeutic "neurotic funk" of Boy, Debt is his to-the-point response to pressures that manifest outside the self. But in its own way it remains a reflection of Harvey Sutherland's musical innerscapes, which stretch across the grit and glitter of private-press disco and the sensual grids of Metro Area.
As with Boy, Harvey Sutherland opens Debt to a tight crew of collaborators—the Tampa rap duo (and Jan Jelinek heads)... more
The album's title nods to the financial contortions necessary to strive/survive/thrive as an independent artist. But Debt is better understood as the ledger of what we owe, and to whom, in the course of a creative life. What's the ROI of being an artist, a son, a friend, a partner, a father? Have we been worth our loved ones' own investments? If that sounds transactional, this is merely the lingua franca of our overwhelmingly digital culture, a grifter's bazaar in which Bob Dylan tunes up over Salt Bae, and Wordsworth's pitch is opposite the Rizzler.
A few years after the pseudo-therapeutic "neurotic funk" of Boy, Debt is his to-the-point response to pressures that manifest outside the self. But in its own way it remains a reflection of Harvey Sutherland's musical innerscapes, which stretch across the grit and glitter of private-press disco and the sensual grids of Metro Area.
As with Boy, Harvey Sutherland opens Debt to a tight crew of collaborators—the Tampa rap duo (and Jan Jelinek heads)... more
credits
released October 10, 2025
Engineered and recorded at Aviary Studios, Melbourne
Mixed by Tony Buchen, Sydney (tracks 3, 5, 8)
Mixed by Tom McAlister, Berlin (tracks 4, 7, 10)
Mixed by Harvey Sutherland (tracks 1, 2, 6, 9)
Mastered by Rúy Marine at Dubplates & Mastering, Berlin
Lacquer cut at Dubplates & Mastering, Berlin
Artwork, design and typesetting by Primary Works, Sydney
Design and animation by Basic Systems, Melbourne.
Distribution by Above Board and The Orchard.
Harvey Sutherland lives and works on Kulin Nation land. Respect is paid to the Wurundjeri and Boon Wurrung people and their elders. Always was, always will be Aboriginal land.
This project has been assisted by the Australian Government through Music Australia and Creative Australia, its arts funding and advisory body. This project is supported by the Victorian Government through Creative Victoria.
a Clarity Recordings release.
Engineered and recorded at Aviary Studios, Melbourne
Mixed by Tony Buchen, Sydney (tracks 3, 5, 8)
Mixed by Tom McAlister, Berlin (tracks 4, 7, 10)
Mixed by Harvey Sutherland (tracks 1, 2, 6, 9)
Mastered by Rúy Marine at Dubplates & Mastering, Berlin
Lacquer cut at Dubplates & Mastering, Berlin
Artwork, design and typesetting by Primary Works, Sydney
Design and animation by Basic Systems, Melbourne.
Distribution by Above Board and The Orchard.
Harvey Sutherland lives and works on Kulin Nation land. Respect is paid to the Wurundjeri and Boon Wurrung people and their elders. Always was, always will be Aboriginal land.
This project has been assisted by the Australian Government through Music Australia and Creative Australia, its arts funding and advisory body. This project is supported by the Victorian Government through Creative Victoria.
a Clarity Recordings release.
